H.U.V.A. Network - Ephemeris (Ultimae)

Humans Under Visual Atmospheres (H.U.V.A. Network) is back with a long awaited sophomore release on Lyon (France) based Ultimae Records. Before I cover the album, it's worth it to pause and deconstruct this group. H.U.V.A is a duo comprised of Magnus Birgersson and Vincent Villuis. Birgersson is none other than Solar Fields, a regular on Ultimae, with six full length albums. If that alias sounds familiar, it's probably because you were blown away by his recent music score for the Electronic Arts game Mirror's Edge. That's right, that's Birgersson. And Monsieur Villuis is none other than Aes Dana, an alumni member of Asura (as of 2001) and part owner of Ultimae with Sandrine Gryson (Mahiane). With such a solid and talented combination, you'd be right to get excited about this next installment in psybient evolution. The purveyors of "oneiric trip-hop", downtempo, and "ambient geometries" will be absolutely delighted with the psychedelic melodies, etherial sound design, and impeccably crisp production. Seekers of sonic voyages will be enveloped by limitless soundscapes, spreading over slow punctuated beats that eventually lift off into an outer journey. The mid portion of the album picks up in tempo, and evolves into a light morning trance, keeping with the rhythm of a four-to-the-floor kick drum. But at the end of Ephemeris, the beat slows down once again, to bring you back down to Earth, after your brief meditative trip. The album was composed between two studios, Villuis' Ultimae Studio in Lyon, France and Birgersson's Studio Jupiter in Göteborg, Sweden. The deluxe edition of the digipack release contains a sixteen page booklet with photographic works by Gingerine, BeneA, Concoon, Goulden, 1100, and Matzchen. Here is a quote from the album defining its title: An ephemeris (plural: ephemerides; from the Greek word ephemeros "daily") is a table of values that gives the positions of objects in the sky at a given time or times. The position is given in a spherical polar coordinate system of right ascension and declination or in logitude along the zodiacal ecliptic, and sometimes declination. The ephemeris paramaters relate to eclipses, apparent retrogradation/planetary stations, planetary ingresses, sidereal time, positions & the phases of the Moon, Cartesian coordinates, picnic on Mars, breakfast on Jupiter and disturbing jetlags. While filling your cart on Ultimae's web shop, be sure to add the duo's first collaboration, Distances (Ultimae, 2004), as well as Solar Field's recently released Movements (Ultimae, 2009) and Aes Dana's Season 5 (Ultimae, 2005). I am also a big fan of the Ultimae's Fahrehnheit Project compilation series, with its last installment being Part 6 as of 2006. Favorite track on the album: Orientations Part 1

myspace.com/solarfields | myspace.com/aesdana
myspace.com/panoramicmusic | ultimae.com

40 Winks - The Lucid Effect (Project: Mooncircle)

In the mood for some laid back beats and loungy vibes? Let 40 Winks groove you with their instrumental hip-hop rhythms mixed with blues, funk, and soul. The group (also spelled without a space as 40winks, and referring to English idiom for taking a nap for a short period of time) is comprised of two Antwerp based Belgian producers, Padmo and Weedy. With samples ranging from bossa nova beats, sax riffs, and dusty jazzy records, the duo scratches the surface of our minds with old-skool effects and vintage organic loops. 40 Winks previously released More Than Loops (Swamp, 2005) and Sound Puzzle (Merck, 2007), so it's no wonder that I picked them up again for The Lucid Effect, after the duo migrated to yet another home, this time to Project: Mooncircle. The latter is not exactly a surprise, since 40 Winks has already contributed a track to The Heart On The Right Spot compilation (Project: Mooncircle, 2007) where they were showcased among their contemporaries like Mr. Cooper, Lackluster, and Dday One [worth picking up this great collection]. Looks like after thirty releases, this German label will continue to output some quality electronic and instrumental hip-hop material (their latest is a release by CYNE - Starship Utopia). The Lucid Effect continues to explore the head-bopping experimental sounds that will no doubt appeal to fans of Flying Lotus, Blockhead, Daedelus, Sixtoo, Jel and Malcom Kipe. Super fun with that 70's feel, turntablism and all. I only wish that more places in the world played this kind of music in the background (like dentists and government agencies), to take the edge off that unnecessary stress we're so programmed to cope with. I would also love to see 40 Winks branch out to using arranged loops by live bands - even if they don't play any instruments themselves.



myspace.com/40winks | 40winksmusic.com
myspace.com/projectmooncircle | projectmooncircle.com

Deru - Trying To Remember (Merck)

It's been almost two years since one of the leading IDM labels operating out of Florida, closed its doors. My dear Merck... I'm tired of sighing. Your impact on the music scene still resonates till this day - with new artists drawing inspirations from your past releases, and abandoned musicians still scrambling to find a new home for their future work. In the same light, I haven't heard anything from Deru since his 2004 release on Merck, Trying To Remember. He has, however, just finished his third album, Say Goodbye To Useless, which is scheduled to be released in the first half of 2009. About a year ago, I saw Benjamin Wynn play out live, at an outdoor festival, and his deep bass and punchy beats sent the vibrations far through the woods. Add to that some subliminal melodic samples with a glitch and swirling effects, and you got somewhat of a staple sound as spearheaded by the likes of Funckarma, Hecq, Kattoo, Gridlock, etc. (I can go on and on). One of my favorite tracks, is Deru's remix of Yasume's Rengoku, appearing on Colonized 01 (Colony Productions, 2007). Some very cinematic and futuristic moments there. His other treasured releases include the Pushing Air LP (Neo Ouija, 2003) and a remix compilation of his originals, released on a beautiful 10" vinyl, Pushing Soil (Delikatessen, 2004), with reworked tracks by Xela, Ginormous, Lo Grey Beam and Lusine. Deru returned the favor to Jeff McIlwain by remixing Auto Pilot on Lusine's Podgelism (Ghostly, 2007). Deru also appeared on Sutemos' Intelligent Toys 3 and even remixed KiloWatts' Two Days Off on Problems/Solved (AMM, 2006). Throughout his short discography, Wynn has managed to perfect his found sound. It is atmospheric. It is thumping. It is fractured. And once you hear it, you'll be able to recognize his touch and influence in others. Highly recommended. And I am anxiously awaiting his upcoming new album!



myspace.com/iamderu | meisderu.com
myspace.com/merckrecords | m3rck.net

The Clifford Gilberto Rhythm Combination - I Was Young And I Needed The Money (Ninja Tune)

Squarepusher recently announced a new upcoming album, titled Just A Souvenir (out on Warp on October 27th, of 2008 - and already available via digital download on bleep). But on my first preview of the album, Tom Jenkinson seems to drift even further away from his original innovative broken beats and drill'n'bass, so dominated by the late 90s. Personally, I always applaud the efforts of an evolving artist, and Squarepusher deserves a whole separate hailing review (coming up next). But being nostalgic for that jazzy breaky genre, I dust off a copy of an overlooked album by Florian Schmitt, which cries out to be back in my rotations. Schmitt recorded only a single album for Ninja Tune back in 1998 under the lengthy pseudonym, The Clifford Gilberto Rhythm Combination. He also did a bunch of remixes later under Clifford Gilberto and his real name. But that was a decade ago, and since then, he's been pretty quiet. Nevertheless, the sound of his debut album, I Was Young And I Needed The Money, is fresh and upbeat, after all these years. I did not begin this write up with Jenkinson incidentally, though. Fans of Squarepusher, Amon Tobin, Cinematic Orchestra, µ-Ziq, and The Flashbulb will be absolutely delighted to hear the Schmitt's tracks for the first time, if they somehow missed the album when it first hit the streets. The sound fluctuates between melodic drum'n'bass (closer to a drilling jungle though, then a straight beat) and a jazzy trip-hoppy rhythms with Latin-flavored samples. The Gilberto reference in Schmitt's alias reveals his Brazilian jazz influence... maybe... His biography on Ninja Tune's site claims that he's "the unknown lovechild of Astrud Gilberto and Stan Getz", but Schmitt brings to the table much more than the musical genius of aforementioned influential bossa nova artists. Guaranteed to liven up your mood and get you to bop your head. And seriously, if you haven't heard this one, get it! Too many favorite tracks on that one to list.



ninjatune.net/gilberto | ninjatune.net

Portishead - Third (Island / Mercury)

It's been almost 11 years since Portishead released their last self-titled album (I'm not counting Roseland NYC Live). The three member group of Adrian Utley, Geoff Barrow and more prominent Beth Gibbons have been often credited with making the trip hop genre more mainstream. Originating out of Bristol, UK, Portishead introduced their hometown sound to the commercial radio waves in 1994 with Dummy. With downtempo hip-hop beats, a touch of turntablism, and Gibbons' staple vocals, Portishead instantly created their own style and with that came a vast following. It's no wonder then, that when appropriately titled Third album hit the shelves, it was snatched with a hunger. Prior to the album's street date it was released on last.fm and attracted over 327,000 listeners within 24 hours. On Third, Portishead experiments in a darker territory, a bit brooding and at times almost industrial in nature, while rewarding the listener with a familiar voice. There are many unforgettable moments on the album when you find yourself go "what" and "nice". Perhaps there is not much revolutionary on Third for some, and they may not feel justified for the waiting period. Nevertheless you can't just let it slip by. Portishead remains a favorite and after consecutive rotations, Third climbs to the my list of "Best of 2008 so far..." I still love and play the first two albums. [Gibbons also released a solo album titled Candy Says in 2003]. Favorite tracks: Plastic and Machine Gun.

myspace.com/portisheadalbum3 | portishead.co.uk

I Monster - Neveroddoreven (Karma/Dharma)

Thanks to my DVR, I never watch commercials these days. But there was this one ad, from AT&T, which got me to hit pause. It displayed flowers opening up, containing the cell phones inside. But it was also the music that stopped me. After the second time I saw the ad, I jumped on Google and sure enough, the first hit was people asking "what's that song on that commercial..." [I used the lyrics as keywords]. I've never heard of I Monster before, and after previewing a couple of tracks I just threw the whole album into the shopping cart. I was truly surprised to enjoy the entire album. It is now on its sixth rotation, and thus, deserves a write up. I Monster is a British group creating fresh, fun and bouncy trip-hop with very catchy samples and melodies. The two members are Sheffield based Jarrod Gosling and Dean Honer. Honer is also a member of All Seeing I and worked on some Add N To (X) albums. Together with Barry Smith (aka Barry 7), Honer founded a label, Cercle Records, on which the original 7" vinyl single of Daydream In Blue was released. In 1998 the duo has released their debut album, These Are Our Children. The track that got me all hyped up after hearing it only twice, Daydream In Blue, climbed the charts as a single, and soon after, the second album, Neveroddoreven, was released by Instant Karma and its sublabel, Dharma Records. [In 2004, Neveroddoreven, was also released on Atlantic]. I caught up with I Monster to get the spiel on their upcoming album. Here is the 411 - it is finished, no title or release date yet, a 7" vinyl single of a track titled A Sucker For Your Sound is coming up. Meanwhile you can preview the song on their myspazz. I seriously can't stop listening to this. Recommended if you like Moloko, Lovage, Portishead, Lemon Jelly, and Télépopmusik.

myspace.com/imonsteruk | imonstermusic.com

Manic - 1986 (Summer Rain Recordings)

Summer Rain Recordings is a digital net label that has already released over 30 EPs from independent artists, covering everything from IDM, glitch, and breaks to trip-hop, downtempo, ambient, and jazz. The label itself has another honorable mission: every signed artist donates a portion of his royalties to NextAid (nextaid.org) or a charity of their choice, to be matched by a donation from the label's profits. So with every purchase, you and the music you support, make a difference in the world. Manic's debut is the fifth Summer Rain release. The four track 1986 EP is a light, breezy, and upbeat stroll. The very first track, Spring, had me bopping my head with the hip-hop beat, as I walked along the street with blooming flowers, and I smiled at the synchronicity of track's title. The jazzy percussion and the hard-cut-off, lo-fi, and looped MPC sound remind me of the early, crate-digging, sample-based works by Amon Tobin, DJ Shadow and DJ Krush. And those are all the great things. When Manic takes it down a notch, and the beats recede into a lounge-like smokey downtempo with melodic piano chords, I can not help by think of Dictaphone. It is also worthy of mention that this San Francisco based artist works for Beatz, "a non-profit organization that teaches inner city and disadvantaged youth how to dj and make music using turntables and samplers". Really enjoyed the entire EP. Jump to the label's site, and grab yours from the many supporting outlets.

myspace.com/samplebasedmusic | myspace.com/beatznpo
myspace.com/summerrainrecordings | summerrainrecordings.net

Welder - Vines And Streams (Cyberset)

Brendan Angelides is the man behind his solo project under the name of Welder. With his debut on a San Francisco based collective, Cyberset, Angelides demonstrates that he's just as proficient at downtempo as he is at breaks under his other alias, Eskmo. Following this full length release, Welder got picked up by a West Coast downtempo label, Native State Records, for a digital only Bamboo Snow EP. The Purple and Orange track gets upgraded to another EP with additional remixes by Bluetech, Fanu, Dov, and Audiovoid. Ranging from world music to orchestral glitchy instrumentation, Vines And Stream is simply a fun album to listen to. From the very first track, you're enveloped in easy bopping beats, that take you on a ride in a country with the convertible top down and your spirits up. The production is tight, the percussion is crisp, and the broken melodic patterns get stuck in your memory. The uplifting and organic mood of this IDM-meets-trip-hop album, reminds you that mother nature doesn't have that something that we call "bad weather", and as it rains outside you'll feel delighted to embrace the falling drops. And you'll smile. I place Welder somewhere between Portishead, Tricky, Banco de Gaia and The Orb. Favorite track: Rain.

myspace.com/weldersounds | weldersounds.com

Stateless - Stateless (Studio !K7)

I first came across Stateless after hearing Chris James contribute vocals to DJ Shadow's last album, The Outsider. I picked up the self titled debut on Studio !K7, and got treated to exactly what I was looking for - indie tracks mixed with trip-hop beats and a hint of that Radiohead sound. Stateless is a Leeds based band comprising of afore mentioned Chris James on vocals, guitars and keyboards; Justin Percival on the bass; David Levin on the drums; Rod Buchanan-Dunlop on live-FX and keyboards, and Gerard Roberts (Kidkanevil) on the turntables adding that staple Portishead feel. By the time you reach the third track, Bloodstream, which also appeared as a promo single (with two remixes by Henrik Schwarz), you realize that Stateless got somethin' there. Still a bit in the shadow of Josh Davis [pun intended?], Stateless is starting to pick up steam across the UK electronic/indie scene. Listening to an album a couple of times, you realize that Stateless' lyrics are full of soul. This is the kind of album you've been craving for without knowing. Play Bloodstream to your [non-electronic-inclined] friends in a car, and they'll be asking you questions about the artist, to which, in a matter-of-fact voice you can reply, "Oh, that? That's Stateless. Haven't you heard?" Recommended if you also follow leftfield sound from Hird, Plej, Little Dragon, Unkle and Nostalgia 77.

myspace.com/statelessonline | statelessonline.co.uk
myspace.com/k7records | k7.com

Sankt Otten - Wunden Gibt Es Immer Wieder (Hidden Shoal)

Hidden Shoal continues to impress. My first introduction to the label was with Wes Willenbring's debut, Somewhere Someone Else. With its 29th release, it is clear that this Australian label is in no doubt with us to output quality experimental ambient, post-rock, and shoegazing pop material from across the globe. Sankt Otten is Stephan Otten and Oliver Klemm, hailing from Osnabrueck, Germany, with two previous full length releases: Eine Kleine Traurigkeit on Eleganz Records, and Wir Koennen Ja Freunde Bleiben on Hidden Shoal. Don't try to translate the titles, just take in the music as is. Trust me. Wunden Gibt Es Immer Wieder, is the duo's third LP, in which they shed the Bristol's trip-hop influence, and move towards a cinematic territory. The instrumental ambiance of the album is lavishing, gorgeous, and inexplicably German [well, what's that supposed to mean?]. I guess some of those lightly distorted, sawtooth synth and guitar sounds gliding over thick and layered pads is what makes it "that German sound" for me - think Ulrich Schnauss, Klaus Schulze, and sometimes Pole. Read my Two and a Half Questions with Sankt Otten to see what they think about that. The percussion accompaniment is light and upbeat, diluting melancholic heaviness with an airy feeling. And the melodies... Ah, the melodies. The track, Der Groove Des Guten Gewissens, with its dramatic strings and high octave piano notes is a true cinematic experience - turn that up and walk around the city in the rain, and let me know if your eyes don't swell up with tears. Both Hidden Shoal releases are available and distributed through Tonevendor. Similar artists cloud includes Talk Talk, Ennio Morricone, Portishead, John Barry and Bohren & der Glub of Core.

myspace.com/sanktotten | sanktotten.de
myspace.com/hiddenshoal | music.hiddenshoal.com

Wagon Christ - Tally Ho! (Astralwerks)

Hailing from Cornwall, England, Luke Vibert started his career early by releasing a debut album with Jeremy Simmonds on Richard D. James' Rephlex Records in 1993. He then moved on to Rising High Records releasing an ambient album Phat Lab Nightmare under an alias Wagon Christ. In 1996, Luke tried his hand at drill'n'bass with an alias Plug releasing Drum 'n' Bass for Papa on Blue Planet. Luke finally landed on Astralwerks - a Virgin Records owned New York label known for main stream electronic acts such as Basement Jaxx, The Chemical Brothers, Fatboy Slim, Future Sound of London and the likes. Tally Ho! is Vibert's sixth full length album (third under Wagon Christ moniker) to come out on Astralwerks in 1998. Luke's sound fits in nicely alongside the friends and artists that defined the late 90's electronica, such as Aphex Twin, Squarepusher, µ-ziq and Cylob. "Together they assimilated such diverse elements as hip hop beats and drum & bass into the more eccentric take on electronica they tweaked, and kick-started a virtual insurrection in sound around the world," notes journalist Andrez Bergen. Tally Ho! is a perfect example of more stylistic exploration under the electronica umbrella, where jungle meets trip-hop, and new genres emerge. The sound is upbeat, confident and playful at the same time. Luke's other notable aliases among the many are Kerrier District, Amen Andrews and Ace of Clubs with a deep discography on defining labels such as Warp, Ninja Tune and Planet-µ. In 2007 Luke collaborated with Jean-Jacques Perrey on Moog Acid project for Lo Recordings. I think I did more name-dropping in this review than talk about the music, but I trust you get the idea. Five stars for this one.

brainwashed.com/vibert | myspace.com/lukevibertdj
astralwerks.com | myspace.com/astralwerks

Onra - Chinoiseries (Label Rouge Prod / Favorite)

There is something super addictive in listening to these 32 sketches, each clocking under two minutes long. And the story behind the album is fascinating as well. Onra is a self proclaimed vinyl junkie, who goes on vacation to his grandparents’ birthplace, Saigon. Returning to France with a treasured collection of 30 records (all in poor condition), Onra sets off to layering beats on top of forgotten samples that capture the soul of Viet Nam. Chinoiseries, is a compilation of instrumental hip-hop vignettes, each offering a quick glimpse at the music from this distant land. Although a bit repetitive, too short, and lacking progression, it is the ideas and the approach behind each track that make this a brilliant composition. Still full of crackles and hiss, the raw production will inspire any crate digger to venture further out in search of exotic material. This is an essential addition to any lover of lo-fi beats (please restrain yourself from rapping). And your purchase will also go to a good cause! "All proceeds from the sale of the [CD format of the -ed.] album will be donated to ’La Goutte d’Eau’ association (www.la-goutte-deau.com) to help their humanitarian operations for Vietnamese people." Recommended if you like J Dilla, MF Doom, Madlib, RZA, Flying Lotus, and The Big Payback. Favorite tracks: The Anthem, Relax In Mui Ne, Apocalypse Now, Smoking Buddha... (OK, I’ll stop there. Otherwise I’ll end up posting entire album’s tracklist.)

myspace.com/onra
myspace.com/favoriterecordings | myspace.com/jeromelabelrougeprod

Animals On Wheels - Nuvol I Cadira (Ntone)

Another album that keeps popping up on my rotations is the last release by Animals On Wheels, Nuvol I Cadira, released on Ninja Tune’s sub-label Ntone (originally named Ninja Tone). Animals On Wheels is a solo project of Andrew Coleman, whose last album, Tony Alva’s Hair appeared on Cocosolidciti Records in 2005. Nuvol I Cadira, on the other hand is almost ten years old now. Yet, if this is your first listen, I promise you a collection of light, jazzy, and refreshing beats. Falling somewhere during the prominent years of output from Amon Tobin, Prefuse 73, and Squarepusher, Nuvol I Cadira (translated from Spanish to "Cloud and Chair" and named after a sculpture in Barcelona), is a trip through chilled out organic downtempo with an occasional broken jungle beat. Recently, however, Coleman has been tinkering with some robot sci-fi, "crumpet nibbling", electronic hip-hop, in collaboration with Mike King under a project which he calls Robots With Hearts. In 2008 we can also look forward to Coleman’s soundtrack work for a video art project by Patrick Doan, Openland. The DVD release will include a separate audio CD featuring Coleman’s work as inspired by this collaboration, distinct from the soundtrack. Recommended if you like Funki Porcini, DJ Food, Coldcut, Blockhead, DJ Krush and Bonobo. Favorite track: A Plus Tard.

myspace.com/animalsonwheels | animalsonwheels.co.uk
myspace.com/ninjatune | ninjatune.net

Harmonic 33 - Extraordinary People (Alphabet Zoo)

I know it’s important to keep up with evolution of sound, music, and genres, but why can’t I stop listening to Harmonic 33’s 2002 release, Extraordinary People? Did the common folk forget about the light, spacey, and spy-sexy trip-hop sound, or am I just not looking in all the right places? Even the group’s follow up album, Music For Film, Television And Radio Volume 1 on Warp Records did not satisfy my cravings for a similar sound. Out of fourteen tracks on this first full length Alphabet Zoo release, every single one is a standout! The label owner, Danny Breaks, even contributed a few cuts and scratches to the record with his turntablism skillz. The Harmonic 33 is Dave Brinkworth and Mark Pritchard, producing under various pseudonyms since the 90s. Brinkworth has previously contributed to Capio and the duo’s early drum’n’bass outlet, Use Of Weapons. Pritchard’s discography, on the other hand, is almost impossible to trace, with his numerous aliases and group collaborations, most notable among them with Thomas Middleton under Global Communication [note to self: revisit 76:14] and Jedi Knights. Although I can fully appreciate Pritchard’s latest gravitation towards a more Detroit influenced hip-hop sound with his Harmonic 313 moniker, I still turn back to Extraordinary People time and time again. This was one of the albums that made me want to write reviews almost six years ago, simply for the sake of spreading the music to everyone, thrusting with "here, hear!"

myspace.com/harmonic333 | reloadonline.com

Flying Lotus - Reset (Warp)

Steven Ellison lands a Reset EP, on Warp Records. His previous full length release, titled 1983, was released by Warp's US West Coast outlet, Plug Research. The LA producer grained recognition, and graduated with flying lotus [er... I mean "flying colors"]. Reset opens up with a track featuring heavily gated, soul vocals by Andreya Triana (think Jazz Sensation's Just Like That). From then we wobble through super groovy, left-field, instrumental hip hop, to the likes of Daedelus, Prefuse 73, DJ Shadow and Malcom Kipe. Overall the sound is spacey, loungey, sexy, if you will. The EP is rather short, and before you know it, the six tracks of eighteen minutes are over, and you press play again. And if it sounds like you have heard some of these head-nodding beats before, well... you have: think all the text-based short Adult Swim interludes with laid back and dope rhythms. It's nice to see Warp Records back in the groove (not that I dislike Grizzly Bear, but... you know what I mean). Check out his web site for a quick game of Attack! Then hit Reset. Favorite tracks: Tea Leaf Dancers and Massage Situation.

myspace.com/flyinglotus | flying-lotus.com
myspace.com/warprecords | warprecords.com

Harmonic 313 - EP 1 (Warp)

Mark Pritchard returns to Warp, this time with another solo project, throwing a "1" between the double integers of his more known collaboration with Dave Brinkworth, Harmonic 33. Pritchard's Harmonic 313 sound is not a far departure from the previous sci-fi space-hop within the frequency of music of the spheres. This time, the planetary travel has a Detroit flavor, filtered through an eight-bit spy thriller arcade game. This six track EP 1 of sequentially numbered Problems solve the microchip soldering details of abstep [my clipping for abstract dub step] and bleep-hop. Pritchard's discography tentacles through years, labels, and monikers, with most recognized collaborations under names like Global Communication, Jedi Knights, Reload and E621. I really loved the earlier 2002 release, Extraordinary People on Alphabet Zoo, and although this EP feels like just a teaser to the [hopefully] upcoming full album, I'm happy to add it to my collection. RIYL: RJD2, Bonobo, Fingathing and The Herbaliser. Favorite tracks: Problem1 and Problem 2.

myspace.com/officialmarkpritchard | myspace.com/warprecords

Tom Burbank - Famous First Words (Planet Mu)

It's about time I got my hands on this instant keeper from one of my favorite labels, Planet Mu. Part glitchy IDM, part instrumental trip hoppy beats, part experimental jazzy downtempo, Burbank's got my head bopping with every track, reminiscent of productions by Prefuse 73, edIT, RJD2, and Nautilis. The more I listen, the more the melodies implant themselves into my mind - and after half a dozen rotations, I am humming along with the sampled, scratched and processed vocals. Not much is known or written about Burbank, except the fact that he's from LA and has been a DJ member of BrokenBeat network within the West Coast scene. If the former mentioned artists have evolved and progressed onto their "next thang", while you're left helpless still craving more of "that sound", Famous First Words is almost guaranteed to fill in the void. If you accidentally missed this album from 2006, be sure to catch up and grab it - I'll forgive you. Favorite tracks: Gnats, Tha Chop, Cracked, and Juno Rhapsody.

myspace.com/tomburbank