Showing posts with label lo-fi. Show all posts
Showing posts with label lo-fi. Show all posts

Wednesday, April 9, 2008

Life Toward Twilight - I Swear By All The Flowers (Bottle Imp)

Tiny vinyl crackles are quietly put to sleep by a music box lullaby. The simplistic nature of I Swear By All The Flowers urges against dismissing the album too quickly. And so I dig. Bottle Imp is an independent label specializing in genres like glitch, breakcore, ethereal and darkwave. Its four first official releases are from a single artist, plus a recent addition to its roster, BLÆRG. That first, prominent name, is Life Toward Twilight, a Detroit based solo dark ambient and post-industrial project of Daniel Tuttle. Tuttle is the man behind the label as well, which features an archive of previous net releases available as a free download. But the record that I’m listening to is far from any of the above mentioned genres. It’s ambient atmospheres, dirty hisses, and analog noises as if they were recorded from... ah, yes! All of the sounds indeed were recorded from antique sources, like grandfather clocks, music boxes, old factories, steam trains, and yes, even wax cylinder recordings! I am a proud owner of a Victrola myself, which I occasionally wind up to marvel at its analog technology of sound magnification. An entire album made of such bits and pieces, with an old detuned piano, is a truly haunting experience. A meditative echo of the past. Voices of a forgotten era recorded by the magnetic fields of earth. This is an experimental album you’ll play over and over, and then talk to your friends about. Reminded me of The Refractors, Elegi, and Deaf Center.

myspace.com/lifetowardtwilight | ltt.bottle-imp.com

Saturday, March 1, 2008

Morning Recordings - The Welcome Kinetic (Loose Thread)

Morning Recordings is a brainchild of a Chicago based Pramod Tummala, and The Welcome Kinetic is his second full length on Loose Thread Recordings. The album is sprinkled with many guest appearances and musical collaborations, most notable among them is the voice of Drag City's Edith Frost, essentially comprising of a collective of friends. Tummala himself is easily comfortable on guitar, piano and the harmonium on this laid back classic soul, future jazz, and fusion album with elements of Tortoise-like staple vibraphone post-rock sound. The breathy playful vocals remind me a bit of Psapp and Portishead, while the lo-fi treatments and analog tape manipulation is reminiscent of Boards of Canada and Dictaphone. The album effortlessly loops and folds over itself, mostly in major harmonic scale, and serves as excellent background music, while you stare at the clock, watching the hands tick away the stubborn minutes left at work. Many tracks are already stuck in my head. Be sure to pick up a previous album, Music For Places, which features the lovely voice of Lindsay Anderson (think Telefon Tel Aviv's Sound In a Dark Room). Favorite Tracks: Sugar Waltz, The Welcome Kinetic, and Songs From A Hotel Bar.

myspace.com/morningrecordings | morningrecordings.com
myspace.com/loosethreadinc | loosethread.com